1. One of two custom built Blacked-Out Panavision Panaflex XL cameras forStar Wars Episode VII. This is the A-Cam, nicknamed “Death Star”. The upcoming Star Wars will be shot on Kodak Motion Picture Film 5219 by cinematographer Dan Mindel, ASC, BSC. (via)

    (Source: l3v3e)

     

  2. allhailthecreative asked: This blog dope man. I want to make movies so bad. Thats one of my passions; movies & music. I love the Cinematography part the most tho. After I graduated & get my degree in Graphic design im going back & getting a certificate in Flim!!!!!

    Thanks man and good luck, I hope you’ll succeed! :-)

     
  3. The Great Beauty / La Grande Bellezza

    Directed by: Paolo Sorrentino
    Cinematography: Luca Bigazzi
    Cameras: Arricam LT, Arriflex 435, 535, 535B, Zeiss Ultra Prime, Lightweight and Angenieux Optimo Lenses
    Format: 35mm (4-perf, Kodak Vision3 500T 5219)
    Mode: Spherical
    Aspect Ratio: 2.35:1

     
  4. Check out my band’s new music video. It was shot on a Canon 600D and a GoPro Hero 3+. We didn’t have any budget so it’s basically a DIY video. I hope next time I’ll be able to shoot something bigger on at least a full frame camera (or on 16mm film, that would be awesome).

     
     
  5. The Hunt (Jagten)

    Directed by: Thomas Vinterberg
    Cinematography: 
    Charlotte Bruus Christensen
    Cameras:
    Arri Alexa Plus, CXX and Fuji Alura Lenses
    Format:
    Digital (SxS)
    Mode:
    Spherical
    Aspect Ratio:
    2.35:1

     
  6. Prisoners (2013)

    Directed by: Denis Villeneuve
    Cinematography: Roger Deakins BSC, ASC
    Cameras: Arri Alexa Plus & Studio, Zeiss Master Primes 
    Format: Digital (ARRIRAW)
    Mode: Spherical
    Aspect Ratio: 1.85:1

     
  7. moviesincolor:

    Richard Linklater Week
    Bernie, 2011
    Cinematography: Dick Pope

    http://moviesincolor.com/

    Awesome blog. Follow them!

     
  8. Arcade Fire - “Afterlife” official video shot on 35mm and 65mm by DP Evan Prosofsky and directed by Emily Kai Bock. Cinelicious provides all 4K 35mm film scanning, color grading with Robert Curreri and a yet-to-premiere 4K master. Thanks to Fotokem for the 65mm scan.

    Check out this amazing music video. Shot on 65mm film! It’s very rare to see a music video like this nowadays.

    (Source: l3v3e)

     
     

  9. Great interview and debate with amazing cinematographers. Check out!

    Just for the facts: 

    Captain Phillips: super16 (some scenes) & 35mm
    12 Years a Slave: 35mm (super35 4-perf)
    Inside Llewyn Davis: 35mm (super35)
    The Secret Life of Walter Mitty: 35mm (anamorphic)
    Nebraska: digital (Arri Alexa)
    Monuments Men: 35mm (super35)

     
  10. Fish Tank (2008)

    Directed by: Andrea Arnold
    Cinematography: Robbie Ryan BSC
    Cameras: Arriflex 35 IIC, Panavision Primo Lenses, Panavision Panaflex Millennium XL, Panavision Primo Lenses 
    Format: 35mm (Fuji Eterna Vivid 160T 8543, Eterna 400T 8583, Reala 500D 8592)
    Mode: Spherical (using the full frame of the negative)
    Aspect Ratio: 1.33:1